{"version":"1.0","provider_name":"Yan Dehui","provider_url":"https:\/\/yandehui.org\/fr\/","author_name":"yandehuiorg","author_url":"https:\/\/yandehui.org\/fr\/author\/yandehuiorg\/","title":"La Modernit\u00e9 Visuelle des Premi\u00e8res Sculptures Modernes Chinoises - Yan Dehui","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"XnzRvqPmJw\"><a href=\"https:\/\/yandehui.org\/fr\/2024\/06\/la-modernite-visuelle-des-premieres-sculptures-modernes-chinoises\/\">La Modernit\u00e9 Visuelle des Premi\u00e8res Sculptures Modernes Chinoises<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/yandehui.org\/fr\/2024\/06\/la-modernite-visuelle-des-premieres-sculptures-modernes-chinoises\/embed\/#?secret=XnzRvqPmJw\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0La Modernit\u00e9 Visuelle des Premi\u00e8res Sculptures Modernes Chinoises\u00a0\u00bb &#8212; Yan Dehui\" data-secret=\"XnzRvqPmJw\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/yandehui.org\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"La transformation de la pratique sculpturale de YAN Dehui refl\u00e8te le processus de transition de la sculpture chinoise de la tradition vers la modernit\u00e9, montrant l'interaction entre la sculpture moderne et les courants de pens\u00e9e et les concepts id\u00e9ologiques de diff\u00e9rentes p\u00e9riodes. En analysant les formes visuelles des \u0153uvres de YAN Dehui des ann\u00e9es 1920 aux ann\u00e9es 1940, cet article r\u00e9v\u00e8le la transition vers la modernit\u00e9 de la sculpture chinoise durant cette p\u00e9riode. Par ailleurs, la m\u00e9thode de division des \"quatre grands courants\" de l'art moderne chinois est utilis\u00e9e pour l'\u00e9tude de cas de YAN Dehui, refl\u00e9tant ainsi les contradictions et complexit\u00e9s de la transition vers la sculpture moderne chinoise des premiers temps \u00e0 travers la pratique artistique individuelle de l'artiste."}