{"id":4827,"date":"2024-06-03T10:00:25","date_gmt":"2024-06-03T10:00:25","guid":{"rendered":"https:\/\/yandehui.org\/2024\/06\/2-etudes-et-enseignement-en-chine-1920-a-1935\/"},"modified":"2026-09-08T17:19:51","modified_gmt":"2026-09-08T17:19:51","slug":"2-etudes-et-enseignement-en-chine-1920-a-1935","status":"publish","type":"post","link":"https:\/\/yandehui.org\/fr\/2024\/06\/2-etudes-et-enseignement-en-chine-1920-a-1935\/","title":{"rendered":"2. \u00c9TUDES ET PROFESSORAT EN CHINE &#8211; 1920 \u00c0 1935"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>1. L&rsquo;apprentissage en Chine<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En 1920, encourag\u00e9 par sa m\u00e8re qui a d\u00e9cel\u00e9 en lui des capacit\u00e9s cr\u00e9atrices, Yan, tout en poursuivant ses \u00e9tudes secondaires, commence son apprentissage d\u00e8s l\u2019\u00e2ge de 13 ans dans l\u2019atelier de Zhu Zichang (1874-1934), le ma\u00eetre de sculpture sur bois le plus renomm\u00e9 de l\u2019\u00e9cole de Wenzhou sous la dynastie Qing.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Il travaillait principalement le buis, dont l\u2019utilisation remontait \u00e0 plus de 900 ans. Appr\u00e9ci\u00e9 par les artistes pour sa r\u00e9sistance, sa douceur, son \u00e9l\u00e9gance et la finesse de son grain, il \u00e9tait consid\u00e9r\u00e9 comme le plus pr\u00e9cieux des mat\u00e9riaux. Certains sculpteurs r\u00e9alisaient d\u2019abord un mod\u00e8le en argile, mais Zhu apprend \u00e0 son \u00e9l\u00e8ve \u00e0 pratiquer la taille directe. C\u2019est donc dans ce berceau de la sculpture du buis de la province du Zhejiang que Yan fait ses premiers pas d\u2019artiste dans la plus pure tradition chinoise, repr\u00e9sentant essentiellement des figures bouddhiques ou tao\u00efstes, parfois profanes.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"383\" height=\"443\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-158.png\" alt=\"\" class=\"wp-image-6494\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-158.png 383w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-158-259x300.png 259w\" sizes=\"auto, (max-width: 383px) 100vw, 383px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Zhu Zichang &#8211; Jigong (buis)<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"310\" height=\"413\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-159.png\" alt=\"\" class=\"wp-image-6497\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-159.png 310w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-159-225x300.png 225w\" sizes=\"auto, (max-width: 310px) 100vw, 310px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Yan Dehui &#8211; Jigong (buis), ann\u00e9es 1970 &#8211; Acquisition du Mus\u00e9e Cernuschi en 2015<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"195\" height=\"384\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-160.png\" alt=\"\" class=\"wp-image-6500\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-160.png 195w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-160-152x300.png 152w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Zhu Zichang &#8211; Guanyin accorde un fils (buis)<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"288\" height=\"384\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-161.png\" alt=\"\" class=\"wp-image-6504\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-161.png 288w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-161-225x300.png 225w\" sizes=\"auto, (max-width: 288px) 100vw, 288px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Yan Dehui &#8211; Guanyin accorde un fils (buis), ann\u00e9es 1970 &#8211; Acquisition du Mus\u00e9e Cernuschi en 2015<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dou\u00e9 et travailleur, il avait aussi un esprit curieux et le go\u00fbt de la d\u00e9couverte. Plusieurs artistes chinois de retour d\u2019Europe avaient fond\u00e9 des acad\u00e9mies et l\u2019art occidental commen\u00e7ait \u00e0 se diffuser. A la fin de ses \u00e9tudes secondaires en 1927, Yan choisit de s\u2019inscrire \u00e0 la SAFA &#8211; Shanghai Academy of Fine Arts, fond\u00e9e par le peintre Liu Haisu (1896-1994) sur le mod\u00e8le de l\u2019ENSBA, l\u2019Ecole nationale sup\u00e9rieure des Beaux-Arts de Paris. Il y apprend notamment la sculpture en ronde-bosse, tout d&rsquo;abord r\u00e9alis\u00e9e en argile, puis moul\u00e9e en pl\u00e2tre.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2. La vie professionnelle<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Apr\u00e8s avoir obtenu son dipl\u00f4me en 1930, Yan devient l\u2019un des assistants de son professeur de sculpture, Jiang Xiaojian (1894-1939), form\u00e9 en France dans les ann\u00e9es 1920. En 1934, il est appoint\u00e9 professeur de d\u00e9coration architecturale sur bois \u00e0 la SAFA, puis il est nomm\u00e9 unique professeur de sculpture de cette institution l\u2019ann\u00e9e suivante.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"307\" height=\"413\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-162.png\" alt=\"\" class=\"wp-image-6507\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-162.png 307w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-162-223x300.png 223w\" sizes=\"auto, (max-width: 307px) 100vw, 307px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Yan Dehui &#8211; M\u00e8re Laborieuse &#8211; Annuaire SAFA 1934<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"297\" height=\"413\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-163.png\" alt=\"\" class=\"wp-image-6510\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-163.png 297w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-163-216x300.png 216w\" sizes=\"auto, (max-width: 297px) 100vw, 297px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Yan Dehui &#8211; M\u00e8re Laborieuse &#8211; Annuaire SAFA 1934<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"304\" height=\"413\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-164.png\" alt=\"\" class=\"wp-image-6513\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-164.png 304w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-164-221x300.png 221w\" sizes=\"auto, (max-width: 304px) 100vw, 304px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Liste des professeurs &#8211; En bas \u00e0 droite Yan Dehui, professeur de sculpture &#8211; Annuaire SAFA 1935<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"265\" height=\"413\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-165.png\" alt=\"\" class=\"wp-image-6516\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-165.png 265w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-165-192x300.png 192w\" sizes=\"auto, (max-width: 265px) 100vw, 265px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Yan Dehui &#8211; Bas-relief de Gandhi &#8211; Annuaire SAFA 1935<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Durant l&rsquo;ann\u00e9e 1934, Yan Dehui se rend au monast\u00e8re de Kumbum dans le Gansu, aujourd&rsquo;hui Qinghai, pendant le Festival des Lanternes, qui c\u00e9l\u00e8bre la fin du Nouvel An chinois. Il  documente son voyage par des photos<em>.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"581\" height=\"413\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-166.png\" alt=\"\" class=\"wp-image-6519\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-166.png 581w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-166-300x213.png 300w\" sizes=\"auto, (max-width: 581px) 100vw, 581px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"560\" height=\"295\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-167.png\" alt=\"\" class=\"wp-image-6522\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-167.png 560w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-167-300x158.png 300w\" sizes=\"auto, (max-width: 560px) 100vw, 560px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Ecrit par Yan Dehui &#8211; \u00ab&nbsp;<em>F\u00e9vrier 1934 &#8211; F\u00eate des Lanternes au Temple Ta\u2019er<\/em> \u00bb<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>C\u2019est d\u00e8s l\u2019enfance que Yan d\u00e9couvre sa vocation. \u00c0 13 ans, tout en poursuivant son cursus scolaire, il consacre tout son temps libre \u00e0 suivre l\u2019enseignement de Zhu Zichang, ma\u00eetre renomm\u00e9 de la sculpture du buis de l&rsquo;Ecole de Wenzhou. Cinq ans d\u2019apprentissage lui suffisent pour ma\u00eetriser l\u2019art de la taille directe et, \u00e0 l\u2019instar de son ma\u00eetre, il produit des figures issues de la culture traditionnelle chinoise. Mais il a encore soif d\u2019apprendre et c\u2019est \u00e0 l\u2019Acad\u00e9mie des Beaux-Arts de Shanghai qu\u2019il s\u2019initie \u00e0 l\u2019art occidental. Devenu \u00e0 son tour professeur\u2026<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","footnotes":""},"categories":[104],"tags":[],"class_list":["post-4827","post","type-post","status-publish","format-standard","hentry","category-biographie"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>2. \u00c9TUDES ET PROFESSORAT EN CHINE - 1920 \u00c0 1935 - Yan Dehui<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/yandehui.org\/fr\/2024\/06\/2-etudes-et-enseignement-en-chine-1920-a-1935\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"2. \u00c9TUDES ET PROFESSORAT EN CHINE - 1920 \u00c0 1935 - Yan Dehui\" \/>\n<meta property=\"og:description\" content=\"C\u2019est d\u00e8s l\u2019enfance que Yan d\u00e9couvre sa vocation. \u00c0 13 ans, tout en poursuivant son cursus scolaire, il consacre tout son temps libre \u00e0 suivre l\u2019enseignement de Zhu Zichang, ma\u00eetre renomm\u00e9 de la sculpture du buis de l&#039;Ecole de Wenzhou. Cinq ans d\u2019apprentissage lui suffisent pour ma\u00eetriser l\u2019art de la taille directe et, \u00e0 l\u2019instar de son ma\u00eetre, il produit des figures issues de la culture traditionnelle chinoise. Mais il a encore soif d\u2019apprendre et c\u2019est \u00e0 l\u2019Acad\u00e9mie des Beaux-Arts de Shanghai qu\u2019il s\u2019initie \u00e0 l\u2019art occidental. 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