{"id":4845,"date":"2024-06-03T05:00:15","date_gmt":"2024-06-03T05:00:15","guid":{"rendered":"https:\/\/yandehui.org\/2024\/06\/7-expositions-1938-a-1950\/"},"modified":"2026-08-05T10:42:10","modified_gmt":"2026-08-05T10:42:10","slug":"7-expositions-1938-a-1950","status":"publish","type":"post","link":"https:\/\/yandehui.org\/fr\/2024\/06\/7-expositions-1938-a-1950\/","title":{"rendered":"7. LES EXPOSITIONS A PARIs &#8211; 1938 \u00c0 1950"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">L\u2019une des fa\u00e7ons pour les artistes chinois de se faire conna\u00eetre \u00e9tait de participer \u00e0 des expositions. Yan  pr\u00e9sente ses \u0153uvres \u00e0 de nombreuses reprises au Grand Palais, \u00e0 commencer par le Salon des Artistes Fran\u00e7ais en 1938. C\u2019est avec son <em>Colin-Maillard<\/em>, \u0153uvre en buis quasiment identique \u00e0 celle de son ma\u00eetre Zhu Zichang, qu\u2019il choisit de faire d\u00e9couvrir l\u2019art traditionnel chinois au public parisien.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"489\" height=\"354\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-108.png\" alt=\"\" class=\"wp-image-4158\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-108.png 489w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-108-300x217.png 300w\" sizes=\"auto, (max-width: 489px) 100vw, 489px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Colin-Maillard, buis<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dans les ann\u00e9es 1940 et 1950, il expose \u00e0 la SNBA \u2013 Soci\u00e9t\u00e9 Nationale des Beaux-Arts \u2013  ainsi qu\u2019au Mus\u00e9e Cernuschi, \u00e0 l\u2019ENSBA, \u00e0 la Galerie Raymond Duncan et au Salon des Ind\u00e9pendants, dont il est soci\u00e9taire en 1949.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">S\u2019il pr\u00e9sente principalement des sculptures acad\u00e9miques \u2013 nus et portraits correspondant \u00e0 l\u2019enseignement de l\u2019ENSBA \u2013 il s\u2019attache \u00e9galement \u00e0 faire d\u00e9couvrir au public fran\u00e7ais des figures de la culture chinoise ou des personnages appartenant au panth\u00e9on bouddhique ou tao\u00efste.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1946 a repr\u00e9sent\u00e9 une ann\u00e9e importante pour les membres de l\u2019Association des artistes chinois en France, qui ont particip\u00e9 \u00e0 deux expositions majeures &#8211; la premi\u00e8re au mus\u00e9e Cernuschi, la seconde \u00e0 l\u2019ENSBA, sous la banni\u00e8re de l\u2019Association.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mus\u00e9e Cernuschi, juin 1946<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"322\" height=\"438\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-104.png\" alt=\"\" class=\"wp-image-4146\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-104.png 322w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-104-221x300.png 221w\" sizes=\"auto, (max-width: 322px) 100vw, 322px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Catalogue d&rsquo;exposition<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"345\" height=\"432\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-105.png\" alt=\"\" class=\"wp-image-4149\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-105.png 345w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-105-240x300.png 240w\" sizes=\"auto, (max-width: 345px) 100vw, 345px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"343\" height=\"423\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-106.png\" alt=\"\" class=\"wp-image-4152\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-106.png 343w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-106-243x300.png 243w\" sizes=\"auto, (max-width: 343px) 100vw, 343px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Liste des exposants &#8211; Section sculpture<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>La Gitane<\/em>, haute de pr\u00e8s de 2 m et pr\u00e9sent\u00e9e sous le nom de <em>Danseuse <\/em>en 1946 au mus\u00e9e Cernuschi et \u00e0 l\u2019ENSBA, est son \u0153uvre majeure cette ann\u00e9e-l\u00e0. Pr\u00e8s de 70 ans apr\u00e8s cette exposition, elle a retrouv\u00e9 des lieux connus, le Mus\u00e9e Cernuschi en ayant fait l\u2019acquisition en 2015.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"317\" height=\"591\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-107.png\" alt=\"\" class=\"wp-image-4155\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-107.png 317w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-107-161x300.png 161w\" sizes=\"auto, (max-width: 317px) 100vw, 317px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">La Gitane ou  Danseuse, pl\u00e2tre patin\u00e9<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>ENSBA, octobre 1946<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Du 1er au 20 octobre 1946, l\u2019Association des Artistes Chinois en France a organis\u00e9 \u00e0 l\u2019ENSBA une exposition visant \u00e0 comm\u00e9morer le premier anniversaire de \u00ab <em>La victoire dans la guerre de r\u00e9sistance du peuple chinois contre l\u2019agression japonaise et la guerre mondiale antifasciste<\/em> \u00bb, nom donn\u00e9 par la Chine \u00e0 la Seconde Guerre mondiale. Yan y expose de nouveau <em>La Gitane<\/em>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"386\" height=\"532\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-109.png\" alt=\"\" class=\"wp-image-4161\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-109.png 386w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-109-218x300.png 218w\" sizes=\"auto, (max-width: 386px) 100vw, 386px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Exposition de l&rsquo;Association des artistes Chinois en France \u00e0 l&rsquo;ENSBA, 1946<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"532\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-113.png\" alt=\"\" class=\"wp-image-4173\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-113.png 400w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-113-226x300.png 226w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Catalogue d&rsquo;exposition, ENSBA 1946<br><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"389\" height=\"531\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-187.png\" alt=\"\" class=\"wp-image-7002\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-187.png 389w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-187-220x300.png 220w\" sizes=\"auto, (max-width: 389px) 100vw, 389px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Pan Yuliang avec Yan Dehui devant la Gitane<br><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"418\" height=\"562\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-114.png\" alt=\"\" class=\"wp-image-4176\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-114.png 418w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-114-223x300.png 223w\" sizes=\"auto, (max-width: 418px) 100vw, 418px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Yan Dehui devant La Gitane ou Danseuse, ENSBA 1946<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"394\" height=\"532\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-115.png\" alt=\"\" class=\"wp-image-4179\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-115.png 394w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-115-222x300.png 222w\" sizes=\"auto, (max-width: 394px) 100vw, 394px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Statuettes en buis de Yan Dehui et Zhou Lin devant ses tableaux, ENSBA 1946<br><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"399\" height=\"532\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-116.png\" alt=\"\" class=\"wp-image-4182\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-116.png 399w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-116-225x300.png 225w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Liste des exposants, ENSBA 1946<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"507\" height=\"531\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-117.png\" alt=\"\" class=\"wp-image-4185\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-117.png 507w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-117-286x300.png 286w\" sizes=\"auto, (max-width: 507px) 100vw, 507px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Liste des \u0153uvres de Yan Dehui, ENSBA 1946  <strong><\/strong><strong><br><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Salon des Ind\u00e9pendants, 1948 \u00e0 1950<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Aux Ind\u00e9pendants, Yan choisit de mettre en valeur la culture traditionnelle chinoise en pr\u00e9sentant <em>Confucius <\/em>en 1948 et <em>Lin Daiyu enterre les fleurs<\/em> en 1949. En 1950, il expose le buste de <em>Louise Lenoir<\/em>, sa future \u00e9pouse.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"373\" height=\"531\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-192.png\" alt=\"\" class=\"wp-image-7103\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-192.png 373w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-192-211x300.png 211w\" sizes=\"auto, (max-width: 373px) 100vw, 373px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Confucius<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"479\" height=\"531\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-193.png\" alt=\"\" class=\"wp-image-7107\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-193.png 479w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-193-271x300.png 271w\" sizes=\"auto, (max-width: 479px) 100vw, 479px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Louise Lenoir<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Galerie Raymond Duncan &#8211; 1949<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En 1949, la galerie Raymond Duncan (fr\u00e8re de la danseuse Isadora Duncan) permet \u00e0 quelques artistes chinois de faire conna\u00eetre leurs \u0153uvres. Yan y expose alors deux \u00e9tudes de nus et deux portraits.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"379\" height=\"533\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-118.png\" alt=\"\" class=\"wp-image-4188\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-118.png 379w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-118-213x300.png 213w\" sizes=\"auto, (max-width: 379px) 100vw, 379px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"408\" height=\"521\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-119.png\" alt=\"\" class=\"wp-image-4191\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-119.png 408w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-119-235x300.png 235w\" sizes=\"auto, (max-width: 408px) 100vw, 408px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SNBA &#8211; Soci\u00e9t\u00e9 Nationale des Beaux-Arts, 1940s &#8211; 1950s<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Des ann\u00e9es 1920 aux ann\u00e9es 1950, la SNBA repr\u00e9sentait un salon majeur pour les artistes chinois. Il se tenait essentiellement au Grand Palais.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"261\" height=\"414\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-120.png\" alt=\"\" class=\"wp-image-4194\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-120.png 261w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-120-189x300.png 189w\" sizes=\"auto, (max-width: 261px) 100vw, 261px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Catalogue du salon SNBA 1950<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"522\" height=\"355\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-121.png\" alt=\"\" class=\"wp-image-4197\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-121.png 522w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-121-300x204.png 300w\" sizes=\"auto, (max-width: 522px) 100vw, 522px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En 1949, Yan est \u00e9lu membre associ\u00e9 de la SNBA. Sa participation au Salon cette ann\u00e9e-l\u00e0 est marqu\u00e9e par l&rsquo;obtention de deux prix : le prix Sandoz et le prix de sculpture offert par un g\u00e9n\u00e9reux donateur. En 1950, il est \u00e9lu soci\u00e9taire de la SNBA. En 1951, il devient membre du jury au sein de la commission d\u2019admission et participe \u00e0 ce titre \u00e0 l\u2019installation des \u0153uvres en tant que placeur. En 1952, il re\u00e7oit le prix Kronberg. Il est le seul Chinois \u00e0 avoir r\u00e9alis\u00e9 ce parcours au sein de la SNBA.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"532\" height=\"384\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-122.png\" alt=\"\" class=\"wp-image-4200\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-122.png 532w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-122-300x217.png 300w\" sizes=\"auto, (max-width: 532px) 100vw, 532px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"402\" height=\"562\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-123.png\" alt=\"\" class=\"wp-image-4203\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-123.png 402w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-123-215x300.png 215w\" sizes=\"auto, (max-width: 402px) 100vw, 402px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"403\" height=\"591\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-124.png\" alt=\"\" class=\"wp-image-4206\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-124.png 403w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-124-205x300.png 205w\" sizes=\"auto, (max-width: 403px) 100vw, 403px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Prix de sculpture d\u00e9cern\u00e9 par un g\u00e9n\u00e9reux donateur en 1949<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"387\" height=\"591\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-125.png\" alt=\"\" class=\"wp-image-4209\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-125.png 387w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-125-196x300.png 196w\" sizes=\"auto, (max-width: 387px) 100vw, 387px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Prix Kronberg, 1952<br><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"378\" height=\"532\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-126.png\" alt=\"\" class=\"wp-image-4212\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-126.png 378w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-126-213x300.png 213w\" sizes=\"auto, (max-width: 378px) 100vw, 378px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Cinq \u0153uvres de Yan Dehui (<em>Guanyu <\/em>et un nu masculin au premier plan, <em>Josepha <\/em>au centre et deux bustes \u00e0 l&rsquo;arri\u00e8re-plan), salon de la SNBA, Grand Palais 1952<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"348\" height=\"533\" src=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-127.png\" alt=\"\" class=\"wp-image-4215\" srcset=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-127.png 348w, https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/image-127-196x300.png 196w\" sizes=\"auto, (max-width: 348px) 100vw, 348px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Josepha, pl\u00e2tre patin\u00e9<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La photo de ces cinq \u0153uvres figurant au salon de 1952 illustre bien la vari\u00e9t\u00e9 des styles pr\u00e9sent\u00e9s par Yan Dehui dans une m\u00eame exposition. A gauche, une repr\u00e9sentation issue de l\u2019iconographie traditionnelle chinoise, <em>Guanyu<\/em>, g\u00e9n\u00e9ral de l&rsquo;\u00e9poque des Trois Royaumes (220-280), par la suite divinis\u00e9, tr\u00e8s populaire en Chine et parfois repr\u00e9sent\u00e9 tenant un livre dans ses mains. A droite, un nu r\u00e9alis\u00e9 selon les canons acad\u00e9miques de l\u2019\u00e9poque, de m\u00eame que les deux portraits d\u2019hommes \u00e0 l\u2019arri\u00e8re.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La figure de <em>Josepha<\/em>, au centre, retrouve aujourd\u2019hui une \u00e9tonnante modernit\u00e9. En 2019 s\u2019est tenue au mus\u00e9e d\u2019Orsay \u00e0 Paris une exposition sans pr\u00e9c\u00e9dent en France, \u00ab <em>Le Mod\u00e8le Noir, de G\u00e9ricault \u00e0 Matisse<\/em> \u00bb. Il s\u2019agissait de redonner une visibilit\u00e9 aux figures anonymes dites de couleur repr\u00e9sent\u00e9es par les artistes durant une p\u00e9riode allant du XVIII\u00e8me si\u00e8cle \u00e0 l\u2019entre-deux-guerres.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Or, dans ce regard nouveau port\u00e9 sur l\u2019histoire de l\u2019art, les artistes chinois ont aussi leur place, comme en t\u00e9moigne cette sculpture, parmi plusieurs ex\u00e9cut\u00e9es par Yan Dehui sur le m\u00eame sujet &#8211; \u00e9galement trait\u00e9 par Hua Tianyou, Sanyu et Pan Yuliang.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Il est \u00e0 noter que le nom de Josepha figure dans la liste des mod\u00e8les de l&rsquo;ENSBA de 1929 \u00e0 1959, publi\u00e9e dans le catalogue de l&rsquo;exposition.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>L&rsquo;un des principaux moyens pour les artistes chinois de Paris de se faire conna\u00eetre \u00e9tait de participer \u00e0 des expositions prestigieuses. Yan Dehui a pr\u00e9sent\u00e9 ses \u0153uvres dans de nombreux lieux importants, \u00e0 commencer par le Salon des Artistes Fran\u00e7ais en 1938 au Grand Palais. Son engagement se poursuit dans les ann\u00e9es 1940 et 1950 avec des expositions \u00e0 la SNBA (Soci\u00e9t\u00e9 Nationale des Beaux-Arts), au Mus\u00e9e Cernuschi,  au Salon des Ind\u00e9pendants<\/p>\n","protected":false},"author":1,"featured_media":4220,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","footnotes":""},"categories":[104],"tags":[],"class_list":["post-4845","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-biographie"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>7. 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Son engagement se poursuit dans les ann\u00e9es 1940 et 1950 avec des expositions \u00e0 la SNBA (Soci\u00e9t\u00e9 Nationale des Beaux-Arts), au Mus\u00e9e Cernuschi, au Salon des Ind\u00e9pendants\" \/>\n<meta property=\"og:url\" content=\"https:\/\/yandehui.org\/fr\/2024\/06\/7-expositions-1938-a-1950\/\" \/>\n<meta property=\"og:site_name\" content=\"Yan Dehui\" \/>\n<meta property=\"article:published_time\" content=\"2024-06-03T05:00:15+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-08-05T10:42:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/yandehui.org\/wp-content\/uploads\/2024\/06\/Chapter-7.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"612\" \/>\n\t<meta property=\"og:image:height\" content=\"824\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"yandehuiorg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"yandehuiorg\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/yandehui.org\/fr\/2024\/06\/7-expositions-1938-a-1950\/\",\"url\":\"https:\/\/yandehui.org\/fr\/2024\/06\/7-expositions-1938-a-1950\/\",\"name\":\"7. 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